In this deconstructed, drawing scenario, inside and outside are never distinct. Wind is omnipresent, images are sonorous, a transformation is at work. Is it the future or the past, are we before, during or after the catastrophe?
“À la verticale du vent” explodes scales and plays with perspectives.
Is there a flaw in the script? Scenes from the cinema are replayed in reality, and characters move through this abstraction. They continue to climb an imposing mountain, but on stilts. They reach refuge huts, refuge-fragile huts, undefined spaces, a modified reality.
With his drawing language, Toma Dutter proposes to survey the interior and exterior, to connect them, to connect with oneself, with other living beings, with landscapes, in order to inhabit this world, if only we can imagine it.
